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The Merry Wives of Windsor
June 12 – July 15
Don’t forget to also get your tickets to The Merry Wives of Windsor, William Shakespeare’s classic comedy.
The most beloved comic characters of Shakespeare’s Henry IV plays come together in this bawdy, riotous romp, not seen at STC in more than a decade. Celebrating the 25th Anniversary by reinventing the very first production presented during the Free For All, STC is happy to bring back The Merry Wives of Windsor.
Falstaff, an impoverished knight, plots to woo two wealthy wives at the same time. However, his plan backfires and the cunning wives seek revenge, bringing chaos to Windsor and embarrassment after embarrassment to Falstaff. Director Stephen Rayne, whose recent production of Sabrina Fair at Ford’s Theatre garnered rave reviews, brings a new spin on this comedy and a merry end to an exceptional season.
Would you like to purchase your tickets today?
Yes, I would! No, not at this time.
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[content_value] => “Drama diehards should vote for this kind of nervy programming with their wallets;
[Strange Interlude] is by far the most adventurous
entry in the spring’s Eugene O’Neill Festival.”
The Washington Post
“Thanks to director Michael Kahn's keen vision, inspired casting, skillful
editing and beautiful pacing, the play positively flies. Francesca Faridany
is absolutely stellar.”
Metro Weekly
Strange Interlude is HELEN HAYES AWARDS RECOMMENDED©
STC Artistic Director Michael Kahn directs Eugene O’Neill’s Pulitzer
Prize-winning, yet controversial, drama about love and deception. Heartbroken
over her adored fiancé’s death, Nina engages in a series of sordid
affairs before marrying a man she does not love. Months
later, pregnant with her husband’s child, she learns a horrifying secret
about his family, setting off a dramatic and emotional chain of events
that spans two decades. One of O’Neill’s early plays, Strange Interlude was
hailed as revolutionary, shocked 1928 audiences–and became a smash
hit. Michael Kahn’s production of another O’Neill classic, Mourning Becomes
Electra,
was called a “raw force” by The Washington Post.Click here for a full play synopsis.
Read Michael’s blog, Stage Interludes from Michael Kahn, on DC Theatre Scene.
Exclusive Restaurant Partner for Strange Interlude: America Eats Tavern
Recommended for children in 8th grade and above.
Photos
Production Photos
Rehearsal Photos
Meet the Cast Photos
Open Rehearsal
Sunday, March 18, 2012; seatings at 1:30 and 3:00 p.m.
Sidney Harman Hall
Watch director Michael Kahn and the cast take the stage for the first time. Seating
is first come, first served. Free.
Windows on Strange Interlude
Sunday, April 1, 2012; 5:00 to 6:00 p.m.
The Forum in Sidney Harman Hall
Join STC’s Artistic staff and a guest scholar as they provide a “window” into
the production during an insightful, lively pre-show discussion. Free.
AsidesLIVE
Sunday, April 1, 2012; 10 a.m. to 1 p.m.
Sidney Harman Hall
AsidesLIVE symposiums look deeply into both the text and production, and encourage
audiences to examine the work they see on stage from a well-informed perspective.
Join scholars Robert Combs, Jackson Bryer and Yvonne Shafer, Neo-Futurists Artistic
Director Christopher Loar and other O'Neill experts. Featuring an in-depth conversation
with Michael Kahn.
Divining O’Neill
Wednesday, April 4, 2012; 5:00 to 6:00 p.m.
The Forum in Sidney Harman Hall
Explore the play’s relevance from a theological perspective. Free.
Post-Performance Discussion
Wednesday, April 4, 2012; after the performance
Sidney Harman Hall
Extend the experience by staying immediately following the evening’s
production for a post-performance discussion led by STC’s Literary Associate
Drew Lichtenberg. Free.
Classics
in Context
Saturday, April 21, 2012; 6:00 to 7:00 p.m.
The Forum in Sidney Harman Hall
Put the show in context with this lively roundtable conversation. The
Classics in Context panel gives the audience the opportunity to discuss
the production with a team of experts, led by STC’s Direction of Education
Samantha K. Wyer. Free.
HIGHLIGHTS OF THE EUGENE O’NEILL FESTIVAL
Ah, Wilderness!
Directed by Kyle Donnelly
March 9–April 8
Arena Stage’s Fichandler Stage at the Mead Center for American Theater
Return to an idyllic age of Americana in Eugene O’Neill’s unabashedly
romantic and sweetly funny Ah, Wilderness! As the Connecticut-based
Miller clan plans their traditional Fourth of July festivities, their dreamy-eyed
middle child Richard is wrestling with cultural conventions, political uncertainty,
the power of literature and the exquisite pain of love.
Strange Interlude
Directed by Michael Kahn
March 27–April 29
Shakespeare Theatre Company’s Sidney Harman Hall (610 F Street NW)
STC Artistic Director Michael Kahn directs Eugene O’Neill’s Pulitzer
Prize-winning, yet controversial, drama about love and deception. Strange
Interlude is generally regarded as the first of O’Neill’s works
to reveal his full power as a dramatist.
Long Day’s Journey into Night
Directed by Robin Phillips
March 30–May 6
Arena Stage’s Kreeger Theater at the Mead Center for American Theater
Delusion and disenchantment have pitted the Tyrone family members against
one another for decades, until one fateful day. Eugene O’Neill’s autobiographical
masterwork exposes the lies we tell, the deceptions we craft and the undercurrent
of compassion that, if uncovered, can redeem us in the end.
Stage Interludes from Michael Kahn
A DC Theatre Scene Blog
Starts Wednesday, February 15; new entries posted every Wednesday
This behind-the-scenes blog, written by STC Artistic Director Michael
Kahn, explores Strange Interlude as Kahn edits the text and works with
the cast and designers. Kahn will offer reflections in new posts each week to
give audiences a first look at the Strange Interlude process. Read the
blog at DCTheatreScene.com.
Al Hirschfeld Installation: O’Neill As Seen By Hirschfeld
On display throughout the festival
The lobby of Arena Stage at the Mead Center for American Theater
A unique installation, first created for New York University’s Kimmel
Center, of more than 40 works by the legendary theater caricaturist Al Hirschfeld
that spans 72 years of Eugene O’Neill’s productions on stage and on screen, will
be on display in the Mead Center.
AsidesLIVE Symposium
Sunday, April 1 at 10 a.m.
Sidney Harman Hall
STC’s AsidesLIVE symposium looks deeply into both the text and production,
encouraging audiences to examine the work onstage from a well-informed perspective,
in a conversation with Michael Kahn. Tickets are $20 ($15 subscribers, $5 students).
To reserve tickets, visit ShakespeareTheatre.org or call 202.547.1122.
Happenings at the Harman: Sea Plays in Rehearsal
Wednesday, April 4 at noon
The Forum in Sidney Harman Hall
In partnership with STC and Arena Stage, local universities have been
working with the writings of Eugene O’Neill and will present their works-in-process.
Students from The George Washington University will present the first
week. Free.
Happenings at the Harman: Begotten in Rehearsal
Wednesday, April 11 at noon
The Forum in Sidney Harman Hall
In partnership with STC and Arena Stage, local universities have been
working with the writings of Eugene O’Neill and will present their works-in-process.
Georgetown University students will present the second week. Free.
See the full schedule of events and learn more about The Eugene O’Neill Festival.
CAST Francesca Faridany* Rachel Spencer Hewitt* Tana Hicken* Ted Koch* Jake Land Joe Short* Robert Stanton* Baylen Thomas* Ted van Griethuysen*
|
DIRECTION AND DESIGN Michael Kahn Walt Spangler Jane Greenwood Stephen Strawbridge Fitz Patton Aaron Rhyne Tom Watson Laura Stanczyk, CSA Daniel Neville-Rehbehn Ellen O'Brien Drew Lichtenberg Jenny Lord Elyzabeth Gorman Daniel Urlie Joseph Smelser* Benjamin Royer*
|
* Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers.
Cast subject to change.
“Thanks to director Michael Kahn’s keen vision, inspired casting, skillful
editing and beautiful pacing, the play positively flies.”
“equal doses of
wit, insight and entertaining melodrama”
Metro Weekly
“honest and clearheaded production”
“It is hilarious, and a little embarrassing, and beautifully, profoundly
human.”
DC Theatre Scene
“drama diehards should vote for this kind of nervy programming with their
wallets”
“a melodrama churning with invention”
“the production is by far the most adventurous entry in the spring’s Eugene
O’Neill Festival”
The Washington Post
“An engrossing journey”
WomanAroundTown.com
“a startlingly new, singularly American sort of drama”
Washington City Paper
“A snappy, funny, clever, compelling, riveting, tragic story”
We Love DC
“Michael Kahn deserves a medal”
“there's a real prize at the core of this impressive production”
Washingtonian
“Drama diehards should vote for this kind of nervy programming with their wallets; [Strange Interlude] is by far the most adventurous entry in the spring’s Eugene O’Neill Festival.”
The Washington Post
“Thanks to director Michael Kahn’s keen vision, inspired casting, skillful editing and beautiful pacing, the play positively flies. Francesca Faridany is absolutely stellar.”
Metro Weekly
STC Artistic Director Michael Kahn directs Eugene O’Neill’s Pulitzer Prize-winning, yet controversial, drama about love and deception. Heartbroken over her adored fiancé’s death, Nina engages in a series of sordid affairs before marrying a man she does not love. Months later, pregnant with her husband’s child, she learns a horrifying secret about his family, setting off a dramatic and emotional chain of events that spans two decades. One of O’Neill’s early plays, Strange Interlude was hailed as revolutionary, shocked 1928 audiences–and became a smash hit. Michael Kahn’s production of another O’Neill classic, Mourning Becomes Electra, was called a “raw force” by The Washington Post.Read Michael’s blog, Stage Interludes from Michael Kahn, on DC Theatre Scene.
Learn more in
ASIDES MAGAZINE
View a program from the production.
View videos related to this production.
The Cast
The Artistic Team
Reviews
Strange Interlude
Mar 27 - Apr 29
Sidney Harman Hall
Exclusive Restaurant Partner for Strange Interlude: America Eats Tavern
